Note from Raksanna – this article was originally written in July 2007 and the thoughts still ring true. If you’re looking for a competition, another fantastic event that I *highly* recommend is Ahlan Cairo Nights: Queen of Raks Sharqi sponsored by Dee Dee Asad of Little Egypt. This event features Egyptian judges, fantastic workshops and gala shows that are as close to Cairo as you can get in North America.
As our beautiful art form continues to grow in popularity, dancers are faced with many opportunities to take workshops, attend haflas and perform in multiple venues. Among the performance opportunities are a plethora of competitions, as well.
Raksanna competes in Queen of Raks Sharki
Although I have been performing and teaching for more than a decade, I entered the competition scene in early 2006. Before I made the decision to compete, I had to make sure I truly understood my motivation for competing. After sincere introspection, I realized these were my top three reasons for competing:
Setting and Achieving a Goal
As a “type A” personality that is driven to do more than humanly possible – and to do everything to the absolute best of my ability, I’ve found that goals enable me to reach greater heights.
During a “normal” schedule, I teach classes and workshops and continue my own personal dance training on a weekly basis.
Deciding to compete gives me a target and helps me go to the next level of professional dance.
Competitions also enable me to concentrate my time and efforts on specific results. By identifying an event, there is a hard and fast deadline. This means that I have to
focus my energy and resources in a very specific way and manage my time effectively. It certainly would not do to be unprepared when on stage in a competition!
While it’s great to win – and to set your sights on winning – it’s important to understand and keep in mind that anyone who participates in a competition is a winner. The hard work, commitment and courage it takes to get up on stage and ask someone (usually, three or more people!) to judge you is in and of itself a feat to be recognized and celebrated.
Kindred Spirits: A Network of Beautiful Artists
One of the largest benefits I’ve found to competing is the wonderful network of like minded spirits. When I first started the competition route, I had many stereotypes of what kind of culture would be present at the events. To be candid, my preconceived notions were that the line up would be filled with cutthroat and vindictive diva’s.
The great news is that the stereotypes could not be further from the truth! My personal experience is that 98% of dancers involved in competitions are wonderful, warm women who love the dance. Backstage, dancers help each other to make sure that all of us do the best we can when we’re performing.
One example I can share is about Susan, a delightfully fun dancer from Oregon. I met her at the recent Belly Dancer USA competition sponsored by Mezdulene.
We were backstage, preparing for our event and she helped hook my costume together. As she was pinning my bra, she realized that the hook had come off. Susan gave me a quick lesson in emergency costume repairs (did you know that a safety pin can act as a solid pin to hook your bra eyelet and guarantees the bra will remain fastened for you?) and had my costume fixed in two minutes and ready for competition.
Susan also made sure that she was in the audience when I danced and she shouted her support for me. As I had traveled alone from Chicago to Canyonville, Oregon, Susan’s acts of kindness and support meant so much to me. It is this kind of bonding and camaraderie that I’ve enjoyed immensely throughout the competitions.
Keeping It In Perspective: Feedback is a Gift
Sometimes, when you’re a teacher, you don’t get a lot of feedback on how you can improve. After all, students look to the teacher as the expert and the source of knowledge. I’ve enjoyed getting feedback from the judges so that I can see myself from the outside in. Feedback truly is a gift – it provides you with insight that you may not have had before and, when taken in a spirit of reception and thankfulness, I’ve found that constructive criticism has really given me the tools to progress as a dancer and performer.
To illustrate, I am a curvy, voluptuous dancer with a full-figured body. Recently, I received a suggestion from two judges to try a different style of costume that would be more appealing to my figure. Rather than take the feedback offensively, I researched a variety of vendors and found a costume in the style suggested. I tried it on and – guess what? The judges were right!
The difference between the previous costume style and the new style was simply amazing!
Belly Dancer USA – A Must Do Experience!
Throughout the year, I participate in four to five competitions across the country. Most recently, I had the pleasure to enjoy Mezdulene’s annual Belly Dancer USA competition held at the Seven Feathers Resort and Casino in Canyonville, Oregon. (If you’ve never been to Oregon, it’s a state that you simply must visit. Complete with an ocean coastline, high mountains and lakes, there’s something for everyone!) Mezdulene and her husband, Don, are gracious hosts and sponsors and make every attendee feel welcome.
The event was well organized. When I checked in, the schedule was readily available and I had all the information I needed to make sure I knew where to go and when. The line up and competition was professionally run. When there was an occasional skip of a CD, the technical team took care of the issue promptly and with a friendly personality. The gala show was so much fun to watch! I had the chance to see dancers from across the country and experience their interpretation of the music we all love. The vendors had beautiful goods to sell and were easy to work with. I thoroughly enjoyed myself at the event and plan on participating again next year – hopefully, bringing a few of my troupe members from Raksanna’s Desert Flames to compete in the troupe category.
Competing is an experience that will help you grow, both as a dancer and as a person. By setting a goal and achieving it, receiving feedback that can enhance your dance and meeting wonderful women who will become lifetime friends, the competition circuit can bring you many great experiences to be treasured and cherished.
Note from Raksanna: This article was originally written in June, 2007. After a recent trip to the Big Apple, I was reminded of this great experience and wanted to share it again. Originally published in Jareeda.
When I was a little girl growing up in a small town, I fell in love with the performing arts! Experiencing the passion of artists through their songs, dance, music and acting was inspirational. I dreamed of being able to do the same … and secretly longed to dance my heart out one day in a magical place called New York City.
In 2007, Morocco made my dream come true.
Where dreams come true!
Between Broadway and Lafayette street,Moroccohosts a monthly show, “Marvelous Magical Mideastern Moments,” at The LaFayette Grill. This regular gathering features her students, her professional dancers, her protégé Tarik andMoroccoherself in a showcase of Middle Eastern belly dance.
One day, as we were talking via email,Morocco invited me to perform in her June show as a special guest artist. Needless to say, my heart soared and I literally jumped up and down with the excitement of a child on Christmas morning!
The Big Day
I flew in from Chicago O’Hare to NYC’s La Guardia airport, checked into my hotel, grabbed my dance bag and headed to the subway.Moroccohad sent me precise directions on how to get from the hotel to the restaurant for which I was very grateful, as there was a train change in the middle of the journey.
What’s It Like In The Big Apple?
The first thing I can tell you is that Manhattan has a very special energy to it. The air crackles with the creativity of artists, the hustle and bustle of millions of people getting to and from work and the amazement the visitors as they experience the city for the first time.
The subway system is no different. On my way to the restaurant, an all-male quintet played the melophone (the marching French Horn), baritone, trumpet, trombone and drums greeted workers as they made their way from offices around Lexington Avenue down to the subway. As I changed trains to catch the #6, a soulful guitar player strummed the relief of the end to another work day and walking down Broadway, music played from a local restaurant while a street dancer tapped his way to paradise and people passed by, throwing tips in his tin.
Nervous, Scared, Excited – All at Once!
I arrived at The LaFayette Grill about an hour before show time and made my way to the dressing room. Excitement filled me – this was my first time to dance inNew York! And I was nervous and shy, too– after all, NYC is known as the capital of the dance world and NYC dancers are arguably among the best in the world. All sorts of questions were in my mind – would they accept me? Would they be friendly? The scared little girl inside wondered if they would like me – and, not only that, I was afraid my hips would freeze and my feet would be swallowed into the earth!
As I entered backstage, I was greeted by friendly faces, warm smiles and open arms. My fears quickly melted away like cold ice cream on a hot summer day! It meant so much to me to be accepted and supported.
I felt the connection between dancers that only dancers know – that pre-show exhilaration, the last minute “can you please help me pin my costume,” “how does my make up look,” and the last minute choreography cram sessions of listening to IPods and marking the dance just one more time.
Morocco arrived shortly after I did and greeted me in the dressing room with a big hug. Knowing this was my first performance in NYC, she quietly coached me as to what to expect and the proper etiquette for this particular show, both backstage and as an audience member. She informed me that dancers were more than welcome to watch the show, as long as we were in cover up. I was thrilled – what a tremendous treat to be able to see the other dancers from the audience as opposed to back stage. I knew I was in for a great time.
Ladies and Gentlemen: Let the Show Begin!
I quickly covered up and took a seat in the audience. The music started playing and the dancers came on stage, one after another. Each dancer created a special moment on stage – some sharing a fun side of his or her personality, some a sensuous side, some flirted and some played… and all were wonderful!
Torkom, a male dancer wearing a gorgeous royal blue costume, played the zills in perfect rhythm, matching both hip and foot movements precisely to the music. Samiha graced the stage with lovely sensuality that oozed from the soul. Karima Nadira lit up the place with her fantastic smile.
I was fourth from the last number. Almost too soon, it was time for me to go back stage to prepare. I took a deep breath and did my usual pre-dance ritual. I envisioned myself spreading joy to each and every person in the room through my dance, connecting and leaving them happier than they were before they came to the show. The words of my primary teacher, Jasmin Jahal, came back to me … “be the magic” … and I felt them reverberate in my soul.
My music started. The intro played and the time had come! I felt the wind lift my feet and I danced my heart out – giving every ounce of energy to the people. I smiled – and they smiled back! They clapped, they had fun, zaghareets filled the air and their joy come back to me, touching me deep in my heart. As I danced,Morocco caught my eye with a special look that made me feel her love and support.
It felt great! As the music made its final crescendo, I took my bow to a happy, spirited crowd and enjoyed the moment, one I will remember for my entire life. Time stood still for an instant and I drank in every delicious drop of the enchanted experience.
After my number, I hurried backstage to get dressed so that I could enjoy the rest of the show. I had the pleasure of watching fellow guest artist Paola Planton ofKuala Lumpur, who recently starred onMalaysia’s version of “So You Think You Can Dance.” She mesmerized the crowd with vibrant moves and sizzling hip work. Tarik’s sassy, light hearted dance was a pleasure to experience – I had heard so many great things about him and they are all true!
Morocco came on stage and performed a wonderful routine. That woman can move her hips! She had fun with the audience, singing along as she danced during a high energy pop song, paid tribute to Classical Oriental with a beautiful piece of music and dazzled us with a dynamic drum solo.
Tarik and Morocco closed the show with a tantalizing duet. It was spellbinding to watch them mirror each other, moving as though they were one. Their fondness and deep love for one another shined through and created a very special kind of energy on stage. It was truly the perfect ending for a perfect evening.
A Treasured Experience
All too soon, it was time to head back to my hotel. I said my “see you very soon!” goodbyes to everyone, wishing them the best of everything. As I made my way back to my room, I floated on air with an elated heart, tears of ecstasy and every fiber of my being on fire!
Thank you,Morocco, for making a dream come true. I will cherish this memory forever.
Until we see each other again, my friend, happy shimmies.
A tiny dancer with a huge, lovable personality, Fahtiem is well-known and loved across the world. This dynamic blond bombshell is an inspiration to me, both as a dancer and as a person, and I recently had the blessed opportunity to watch her performance in the one … the only … Carnegie Hall.
One of World’s Most Prestigious Venues
Located on Seventh Avenue, between West 56th Street and West 57th Street in Midtown Manhattan, Carnegie Hall stands with its majestic architecture and rich legacy. 881 Seventh Ave is home to performances from the world’s top talent for musicians, artists, dancers and other performing artists.
The Hall is named after Andrew Carnegie, a philanthropist who paid for the construction of the building. Carnegie is considered to be the second-richest man in history after John D. Rockefeller; he founded the Carnegie Steel Company in the 1870’s and made the majority of his fortune in the steel
Street View of Carnegie Hall
industry. By the time of his death, Carnegie had given away most of his riches and when he died, the remaining funds were given away to charities and foundations.
Carnegie Hall The architecture was designed by William Burnet Tuthill. Built in 1891, it is one of the last standing large buildings in New York without a steel frame; it was built entirely of masonry. Although the exterior has been renovated several times throughout the past 120 years, the institution underwent a $60 million restoration and renovation effort that began in 1985. The job was tremendous and included fresh paint, new seats, carpeting and a new stage floor.
There are three auditoriums within Carnegie Hall. Stern Auditorium/Perelman Stage (also known as the Main Hall) seats 2,804 people, Weill Recital Hall is an elegant, intimate space that seats 268 people and Zankel Hall, Carnegies’ newest space, seats 599 patrons.
Belly Dance (Middle Eastern, aka Oriental Dance) at Carnegie
In addition to musical concerts, Carnegie Hall hosts a myriad of performing arts presentations including dance, even belly dance.
Of note, Ibrahim “Bobby” Farrah both taught Oriental dance at the International School of Dance, Carnegie Hall and presented his legendary dance company, Ibrahim Farrah Near East Dance Company, on the Perelman Stage.
Speaking of Bobby, Fahtiem trained and mentored under him. She grew and developed her own depth and understanding of Oriental Dance to our art form. On her website is a quote from her inspiration: “Fahtiem brings a touch of class to Oriental Dance, as well as a delightful sauciness, making her not only a grand entertainer, but an artist as well. It’s no wonder that as a performer, teacher, and choreographer, she is so in demand.” (Ibrahim Farrah).
It is no wonder, then, that she followed his guidance and graced the stage of this celebrated Hall.
A Benefit Concert to Turn Up the Peace
Inside the "Great Hall" of Carnegie Hall
Normally, when we think about peace, thoughts of world peace come to mind. However, that’s looking at the big picture … and sometimes, that view can be a little overwhelming.
Two pioneering spirits decided to take a different approach.
Phillip Kanakis and Nandapriya Sattva joined forces to create a not-for-profit organization called Turn Up the Peace. Their overriding philosophy is that peace is not merely the absence of war, but rather the compassion and good will that we, as fellow human beings, show ourselves, the planet around us all and all surrounding forms of life.
To achieve peace, according to Turn Up the Peace, it is essential to create permanent uplifting solutions to people in at-risk situations. For example, one current project is to provide food for communities in Sri Lanka by planting Jackfruit trees to grow fruit that can feed families for 100-200 years.
As you can imagine … achieving this vision takes money.
In order to kick start their efforts, Kanakis and Sattva created a Benefit Concert to raise funds for the initiative. This Benefit Concert premiered on one of the world’s greatest stages – the Isaac Stern Auditorium at Carnegie Hall.
Top World Talent – from Marla Maples to Chamber of Orchestra of New York to Dan Reed to Fahtiem
The evening began with world famous Marla Maples as the Master of Ceremonies. Her sunny personality known around the world for her co-hosting of Miss Universe Pageant, Miss USA Pageant and Fox after Breakfast, to name a few, set the tone for an enjoyable experience.
Acts included beautiful music from the Chamber Orchestra of New York, whose violinist, French Hornists, cellos and other members of the orchestra filled the Hall with rich notes filled with passion and joy and at times, stirred the audience to tears.
Dan Reed, known for his work as an opening act for RUN DMC, UB40, David Bowie, Bon Jovi and more, graced the stage with songs from his newest album Coming Up for Air. He played acoustic guitar and was accompanied by a fantastic drummer (whose drum was a wooden box that he used as a chair AND a drum). One song depicted the Wall in Jerusalem. His gritty voice sang out of Jews who prayed at the wall at sunset on the Sabbath and the Muslims who prayed at dawn on the other side. The audience could feel the pain and tension and the longing for a peaceful co-existence; Dan literally transported us to the Holy Land.
Backstage at Carnegie Hall, Fahtiem with her dancers
Our lovely Fahtiem presented a gorgeous choreography featuring male modern dancers, ballerinas, jazz dancers and her own Oriental dance. The piece showcased veil work, Isis wings and dancers without any accessories. The music was light, uplifting and beautiful. Fahtiem’s work highlighted her talent for beauty, grace and elegance by skillfully incorporating the different dance genres that honestly “put the magic into every step” in a magnificent, spellbinding performance.
From My Perspective
Fahtiem is one of my personal inspirations. Her dance is beautiful, she is a professional role model for dancers like me who seek to dance and teach for an entire lifetime and her personal life philosophies of creating the reality we want have resonant at a deep level for me.
As a friend and a colleague in Oriental Dance, it was such an honor to share this special, magical moment with Fahtiem. To share what is arguably the pinnacle of her career – to dance our art form on the Stern Auditorium of Carnegie Hall – was deeply meaningful and I thank her for the invitation to be a part of the experience with her. I am so proud of her and happy for her!!!!
Gilae, Fahtiem and Raksanna celebrate at Planet Hollywood, NYC
And in my personal opinion, it is not a stretch to say that the same spirit felt on the May 5 1891 … the official opening night at 881 Seventh Ave in Midtown Manhattan when Tchaikovsky set the stage for musical excellence … Fahtiem has once again set the standard for excellence in Oriental dance.
My professional troupe and I, Raksanna and the Desert Flames, competed in two fantastic events last year.
The piece below is an original Raksanna choreography to the magnificant Dr. Samy Farag and his musical number, Habipti. When I choreographed this piece, I wanted to tell the story of our team – the overall friendship and commraderie of our team as a whole and the celebration of the friendships and relationships that are between each of us.
International icon and master of Middle Eastern dance, Momo Kadous returns to ChicagoRaks™ as the featured guest artist! This year, ChicagoRaks ™ is a two day intensive with Momo.
ONLY 30 SPOTS!!!! This exclusive event ALWAYS sells out.
Agenda, Saturday, Oct 8 – Order and topic subject to change
- 9:30-10:00 am – Registration
- 10:00-12:00 noon – Oriental Choreography, Part I
- 12:00-12:30 pm – Break
- 12:30-2:30 pm – Oriental Choreography, Part II
Agenda, Sunday, Oct 9 - Order and topic subject to change
- 9:30-10:00 am – Registration
- 10:00-12:00 noon – Baladi, Part I
- 12:00-12:30 pm – Break
- 12:30-2:30 pm – Baladi, Part II
- 7:00 pm – informal potluck dinner at Raksanna’s home (bring a dish to share)
Workshop Location
Fry Family YMCA
2120 W 95th Street (corner of Book & 95th)
Naperville IL 60564
630.904.9595
** for driving directions, please visit http://www.randmcnally.com
Tuition
- One day – $150
- Both days – $250 (save $50!!!!)
- Payment plans available!
Coming from Chicago and taking the train?
Transportation to and from Rt 59 (Burlington Northern line of the Metro) can be arranged. Pitch in $10 to cover the price of gas and time for the driver (much cheaper than a taxi!) Email raksanna@raksanna.com for info.
Need Lodging?
Recommended hotel (5 minutes from workshop location, free breakfast, free Wi Fi, reasonably priced) – Super 8, 4228 Longmeadow Drive, Aurora IL 60504, 630.898.5419
On a budget? Limited number of rooms available at fellow dancers homes. Email for details.
