Today is the final day of the Randa Kamel weeklong intensive. The experience has been such a whirlwind of joy, hard work, exciting events and immersion in the Egyptian culture. In short, it has simply been a piece of heaven on Earth and I am so happy to be a part of it.
For the past two days, Randa has been teaching our class her signature choreography and opening number for which she is known around the world. I was amazed and so surprised (and overcome with excitement and happiness!) to learn that she was sharing it with us. Certainly, Randa’s generosity is rare to find and a treasure to be cherished.
I have met new friends from around the world – Scotland, Japan, Germany, Spain, Italy, Latvia, Russia, Poland, England and of course, the good ol’ USA! (There are five Americans here – two of which are in the final leg of the competition tonight!)
Speaking of the competition tonight, the finalists were asked to provide a list of ten (10) well known and loved Egyptian songs that her orchestra could play. Then, Randa selected each dancer the music to which she will dance this evening. It was my good fortune to be assigned Fi Youm Wa Leyla, one of my favorite
Oriental songs in the whole world. It is the first time I have ever danced with
a full orchestra and I am so excited for this opportunity.
While, as in all competitions, there will only be one “winner”of the Randa crown, I do firmly believe in my heart and soul that each of us who competed is a winner. Part of the competition was direct feedback and evaluation from Randa herself. For me, this information is a gift – because I am a teacher, I rarely receive feedback on how to improve and grow. To see myself through her eyes is wonderful because actionable items and points to focus on and develop on. And my goal is to be able to show demonstranble improvement when I see Randa again in Chicago in May when she comes with Dee Dee Asad from Little Egypt. (Btw, if you have not done so now and are in the area, you should take the opportunity to register because as a dancer, Randa is a teacher, choreographer and performer that you simply MUST experience. Not only is Randa a lovely person, her impact on our dance and art form is global – and she is changing Oriental dance. For belly dancers who are interested in knowing the modern trends and technique, you will be left behind if you do not take the opportunity to study with and see her perform.)
So, tonight, it will be magical. Not only do I have the opportunity to perform with one of the best Oriental orchestras in the world, but I am dancing in a new costume from my dear friend, Mohammed. He is the brother of Hanan, the designer known as Queen Hanan, and he started his own design business about two years ago. On the plane ride home, I am going to write an article about him so that you get to know him. His quality is as high as Eman Zeki and I predict he will quickly become one of the premier designers of Oriental belly dance costumes.
For this evening, I am going to release all expectations and let go of all worries and concerns. I am going to simply focus on the magic of the moment – dancing in Cairo in the shadows of the pyramids, to a magnificent orchestra, in front of the woman who inspires my dance and artistically influences me beyond measure, surrounded by friends and loved ones I consider part of my extended family. Tonight is simply perfect.
And, another nice thing is that I signed up to dance with the orchestra for the open show to Alf Layla We Layla, another of my absolute favorites.
I am so thankful and grateful for the chance to be here and send much love to my husband and best friend, David, for making it possible for me to live out my dreams. For without him, I don’t know where my life would be. I love you, David!
FOR IMMEDIATE RELEASE
Raksanna Productions Receives 2011 Best of Aurora Award
NEW YORK, NY, October 25, 2011 – Raksanna Productions has been selected for the 2011 Best of Aurora Award in the Health & Fitness The USCA “Best of Local Business” Award Program recognizes outstanding local businesses throughout the country. Each year, the USCA identifies companies that they believe have achieved exceptional marketing success in their local community and business category. These are local companies that enhance the positive image of small business through service to their customers and community.
This is the first year that a business has qualified as a Four-Time Award Winner. Various sources of information were gathered and analyzed to choose the winners in each category. The 2011 USCA Award Program focuses on quality, not quantity. Winners are determined based on the information gathered both internally by the USCA and data provided by third parties.
About U.S. Commerce Association (USCA)
U.S. Commerce Association (USCA) is a New York City based organization funded by local businesses operating in towns, large and small, across America. The purpose of USCA is to promote local business through public relations, marketing and advertising.
The USCA was established to recognize the best of local businesses in their community. Our organization works exclusively with local business owners, trade groups, professional associations, chambers of commerce and other business advertising and marketing groups. Our mission is to be an advocate for small and medium size businesses and business entrepreneurs across America.
SOURCE: U.S. Commerce Association
CONTACT:
U.S. Commerce Association
Email: PublicRelations@uscaaward.com
URL: http://www.uscaaward.com
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Note from Raksanna – this article was originally written in July 2007 and the thoughts still ring true. If you’re looking for a competition, another fantastic event that I *highly* recommend is Ahlan Cairo Nights: Queen of Raks Sharqi sponsored by Dee Dee Asad of Little Egypt. This event features Egyptian judges, fantastic workshops and gala shows that are as close to Cairo as you can get in North America.
As our beautiful art form continues to grow in popularity, dancers are faced with many opportunities to take workshops, attend haflas and perform in multiple venues. Among the performance opportunities are a plethora of competitions, as well.
Raksanna competes in Queen of Raks Sharki
Although I have been performing and teaching for more than a decade, I entered the competition scene in early 2006. Before I made the decision to compete, I had to make sure I truly understood my motivation for competing. After sincere introspection, I realized these were my top three reasons for competing:
Setting and Achieving a Goal
As a “type A” personality that is driven to do more than humanly possible – and to do everything to the absolute best of my ability, I’ve found that goals enable me to reach greater heights.
During a “normal” schedule, I teach classes and workshops and continue my own personal dance training on a weekly basis.
Deciding to compete gives me a target and helps me go to the next level of professional dance.
Competitions also enable me to concentrate my time and efforts on specific results. By identifying an event, there is a hard and fast deadline. This means that I have to
focus my energy and resources in a very specific way and manage my time effectively. It certainly would not do to be unprepared when on stage in a competition!
While it’s great to win – and to set your sights on winning – it’s important to understand and keep in mind that anyone who participates in a competition is a winner. The hard work, commitment and courage it takes to get up on stage and ask someone (usually, three or more people!) to judge you is in and of itself a feat to be recognized and celebrated.
Kindred Spirits: A Network of Beautiful Artists
One of the largest benefits I’ve found to competing is the wonderful network of like minded spirits. When I first started the competition route, I had many stereotypes of what kind of culture would be present at the events. To be candid, my preconceived notions were that the line up would be filled with cutthroat and vindictive diva’s.
The great news is that the stereotypes could not be further from the truth! My personal experience is that 98% of dancers involved in competitions are wonderful, warm women who love the dance. Backstage, dancers help each other to make sure that all of us do the best we can when we’re performing.
One example I can share is about Susan, a delightfully fun dancer from Oregon. I met her at the recent Belly Dancer USA competition sponsored by Mezdulene.
We were backstage, preparing for our event and she helped hook my costume together. As she was pinning my bra, she realized that the hook had come off. Susan gave me a quick lesson in emergency costume repairs (did you know that a safety pin can act as a solid pin to hook your bra eyelet and guarantees the bra will remain fastened for you?) and had my costume fixed in two minutes and ready for competition.
Susan also made sure that she was in the audience when I danced and she shouted her support for me. As I had traveled alone from Chicago to Canyonville, Oregon, Susan’s acts of kindness and support meant so much to me. It is this kind of bonding and camaraderie that I’ve enjoyed immensely throughout the competitions.
Keeping It In Perspective: Feedback is a Gift
Sometimes, when you’re a teacher, you don’t get a lot of feedback on how you can improve. After all, students look to the teacher as the expert and the source of knowledge. I’ve enjoyed getting feedback from the judges so that I can see myself from the outside in. Feedback truly is a gift – it provides you with insight that you may not have had before and, when taken in a spirit of reception and thankfulness, I’ve found that constructive criticism has really given me the tools to progress as a dancer and performer.
To illustrate, I am a curvy, voluptuous dancer with a full-figured body. Recently, I received a suggestion from two judges to try a different style of costume that would be more appealing to my figure. Rather than take the feedback offensively, I researched a variety of vendors and found a costume in the style suggested. I tried it on and – guess what? The judges were right!
The difference between the previous costume style and the new style was simply amazing!
Belly Dancer USA – A Must Do Experience!
Throughout the year, I participate in four to five competitions across the country. Most recently, I had the pleasure to enjoy Mezdulene’s annual Belly Dancer USA competition held at the Seven Feathers Resort and Casino in Canyonville, Oregon. (If you’ve never been to Oregon, it’s a state that you simply must visit. Complete with an ocean coastline, high mountains and lakes, there’s something for everyone!) Mezdulene and her husband, Don, are gracious hosts and sponsors and make every attendee feel welcome.
The event was well organized. When I checked in, the schedule was readily available and I had all the information I needed to make sure I knew where to go and when. The line up and competition was professionally run. When there was an occasional skip of a CD, the technical team took care of the issue promptly and with a friendly personality. The gala show was so much fun to watch! I had the chance to see dancers from across the country and experience their interpretation of the music we all love. The vendors had beautiful goods to sell and were easy to work with. I thoroughly enjoyed myself at the event and plan on participating again next year – hopefully, bringing a few of my troupe members from Raksanna’s Desert Flames to compete in the troupe category.
Competing is an experience that will help you grow, both as a dancer and as a person. By setting a goal and achieving it, receiving feedback that can enhance your dance and meeting wonderful women who will become lifetime friends, the competition circuit can bring you many great experiences to be treasured and cherished.
The beatiful Fahtiem
A tiny dancer with a huge, lovable personality, Fahtiem is well-known and loved across the world. This dynamic blond bombshell is an inspiration to me, both as a dancer and as a person, and I recently had the blessed opportunity to watch her performance in the one … the only … Carnegie Hall.
One of World’s Most Prestigious Venues
Located on Seventh Avenue, between West 56th Street and West 57th Street in Midtown Manhattan, Carnegie Hall stands with its majestic architecture and rich legacy. 881 Seventh Ave is home to performances from the world’s top talent for musicians, artists, dancers and other performing artists.
The Hall is named after Andrew Carnegie, a philanthropist who paid for the construction of the building. Carnegie is considered to be the second-richest man in history after John D. Rockefeller; he founded the Carnegie Steel Company in the 1870’s and made the majority of his fortune in the steel
Street View of Carnegie Hall
industry. By the time of his death, Carnegie had given away most of his riches and when he died, the remaining funds were given away to charities and foundations.
Carnegie Hall The architecture was designed by William Burnet Tuthill. Built in 1891, it is one of the last standing large buildings in New York without a steel frame; it was built entirely of masonry. Although the exterior has been renovated several times throughout the past 120 years, the institution underwent a $60 million restoration and renovation effort that began in 1985. The job was tremendous and included fresh paint, new seats, carpeting and a new stage floor.
There are three auditoriums within Carnegie Hall. Stern Auditorium/Perelman Stage (also known as the Main Hall) seats 2,804 people, Weill Recital Hall is an elegant, intimate space that seats 268 people and Zankel Hall, Carnegies’ newest space, seats 599 patrons.
Belly Dance (Middle Eastern, aka Oriental Dance) at Carnegie
In addition to musical concerts, Carnegie Hall hosts a myriad of performing arts presentations including dance, even belly dance.
Of note, Ibrahim “Bobby” Farrah both taught Oriental dance at the International School of Dance, Carnegie Hall and presented his legendary dance company, Ibrahim Farrah Near East Dance Company, on the Perelman Stage.
Speaking of Bobby, Fahtiem trained and mentored under him. She grew and developed her own depth and understanding of Oriental Dance to our art form. On her website is a quote from her inspiration: “Fahtiem brings a touch of class to Oriental Dance, as well as a delightful sauciness, making her not only a grand entertainer, but an artist as well. It’s no wonder that as a performer, teacher, and choreographer, she is so in demand.” (Ibrahim Farrah).
It is no wonder, then, that she followed his guidance and graced the stage of this celebrated Hall.
A Benefit Concert to Turn Up the Peace
Inside the "Great Hall" of Carnegie Hall
Normally, when we think about peace, thoughts of world peace come to mind. However, that’s looking at the big picture … and sometimes, that view can be a little overwhelming.
Two pioneering spirits decided to take a different approach.
Phillip Kanakis and Nandapriya Sattva joined forces to create a not-for-profit organization called Turn Up the Peace. Their overriding philosophy is that peace is not merely the absence of war, but rather the compassion and good will that we, as fellow human beings, show ourselves, the planet around us all and all surrounding forms of life.
To achieve peace, according to Turn Up the Peace, it is essential to create permanent uplifting solutions to people in at-risk situations. For example, one current project is to provide food for communities in Sri Lanka by planting Jackfruit trees to grow fruit that can feed families for 100-200 years.
As you can imagine … achieving this vision takes money.
In order to kick start their efforts, Kanakis and Sattva created a Benefit Concert to raise funds for the initiative. This Benefit Concert premiered on one of the world’s greatest stages – the Isaac Stern Auditorium at Carnegie Hall.
Top World Talent – from Marla Maples to Chamber of Orchestra of New York to Dan Reed to Fahtiem
The evening began with world famous Marla Maples as the Master of Ceremonies. Her sunny personality known around the world for her co-hosting of Miss Universe Pageant, Miss USA Pageant and Fox after Breakfast, to name a few, set the tone for an enjoyable experience.
Acts included beautiful music from the Chamber Orchestra of New York, whose violinist, French Hornists, cellos and other members of the orchestra filled the Hall with rich notes filled with passion and joy and at times, stirred the audience to tears.
Dan Reed, known for his work as an opening act for RUN DMC, UB40, David Bowie, Bon Jovi and more, graced the stage with songs from his newest album Coming Up for Air. He played acoustic guitar and was accompanied by a fantastic drummer (whose drum was a wooden box that he used as a chair AND a drum). One song depicted the Wall in Jerusalem. His gritty voice sang out of Jews who prayed at the wall at sunset on the Sabbath and the Muslims who prayed at dawn on the other side. The audience could feel the pain and tension and the longing for a peaceful co-existence; Dan literally transported us to the Holy Land.
Backstage at Carnegie Hall, Fahtiem with her dancers
Our lovely Fahtiem presented a gorgeous choreography featuring male modern dancers, ballerinas, jazz dancers and her own Oriental dance. The piece showcased veil work, Isis wings and dancers without any accessories. The music was light, uplifting and beautiful. Fahtiem’s work highlighted her talent for beauty, grace and elegance by skillfully incorporating the different dance genres that honestly “put the magic into every step” in a magnificent, spellbinding performance.
From My Perspective
Fahtiem is one of my personal inspirations. Her dance is beautiful, she is a professional role model for dancers like me who seek to dance and teach for an entire lifetime and her personal life philosophies of creating the reality we want have resonant at a deep level for me.
As a friend and a colleague in Oriental Dance, it was such an honor to share this special, magical moment with Fahtiem. To share what is arguably the pinnacle of her career – to dance our art form on the Stern Auditorium of Carnegie Hall – was deeply meaningful and I thank her for the invitation to be a part of the experience with her. I am so proud of her and happy for her!!!!
Gilae, Fahtiem and Raksanna celebrate at Planet Hollywood, NYC
And in my personal opinion, it is not a stretch to say that the same spirit felt on the May 5 1891 … the official opening night at 881 Seventh Ave in Midtown Manhattan when Tchaikovsky set the stage for musical excellence … Fahtiem has once again set the standard for excellence in Oriental dance.
International icon and master of Middle Eastern dance, Momo Kadous returns to ChicagoRaks™ as the featured guest artist! This year, ChicagoRaks ™ is a two day intensive with Momo.
ONLY 30 SPOTS!!!! This exclusive event ALWAYS sells out.
Download Registration Form: 2011ChicagoRaksRegistration
Agenda, Saturday, Oct 8 – Order and topic subject to change
- 9:30-10:00 am – Registration
- 10:00-12:00 noon – Oriental Choreography, Part I
- 12:00-12:30 pm – Break
- 12:30-2:30 pm – Oriental Choreography, Part II
Agenda, Sunday, Oct 9 - Order and topic subject to change
- 9:30-10:00 am – Registration
- 10:00-12:00 noon – Baladi, Part I
- 12:00-12:30 pm – Break
- 12:30-2:30 pm – Baladi, Part II
- 7:00 pm – informal potluck dinner at Raksanna’s home (bring a dish to share)
Workshop Location
Fry Family YMCA
2120 W 95th Street (corner of Book & 95th)
Naperville IL 60564
630.904.9595
** for driving directions, please visit http://www.randmcnally.com
Tuition
- One day – $150
- Both days – $250 (save $50!!!!)
- Payment plans available!
Coming from Chicago and taking the train?
Transportation to and from Rt 59 (Burlington Northern line of the Metro) can be arranged. Pitch in $10 to cover the price of gas and time for the driver (much cheaper than a taxi!) Email raksanna@raksanna.com for info.
Need Lodging?
Recommended hotel (5 minutes from workshop location, free breakfast, free Wi Fi, reasonably priced) – Super 8, 4228 Longmeadow Drive, Aurora IL 60504, 630.898.5419
On a budget? Limited number of rooms available at fellow dancers homes. Email for details.
