
Lynn and Raksanna at Chicago O'Hare, getting ready for take off!
June 19, 2010
I’m on my way to the world famous belly dance festival, Ahlan Wa Salan, sponsored by Raqia Hassan and held in Cairo, Egypt each year. As a returning featured instructor, I am very excited to be on the way to a fantastic event! More than 1,000 dancers from across the world, representing all seven continents, gather in the shadow of the Pyramids to dance, learn, tour Egypt and meet new friends and colleagues. Raqia does an outstanding job at bringing together to top instructors with a variety of styles, highly professional tours and a fun-filled festival for serious dancers and hobbyists alike! I am honored and blessed to have the opportunity to teach and be a part of such a great event.
Each time I visit Egypt, I come back a different, deeper person and a stronger dancer. One of the things I love so much about teaching at the festival is the inspiration I get from the students who share my passion for the beautiful art form of belly dance – and the joy that comes from bonding with each other through ancient movements and artistic interpretation of fantastic melodies, pulsating rhythms and gorgeous instruments! It is ALL good!
This year, I am taking a small tour group with me. Lynn, Deb and Joy decided to come with me across the waters to the continent of Africa, the cradle of civilization. Deb and Joy departed from their home town in North Carolina yesterday and will arrive at the hotel in Cairo about six hours prior to Lynn and me. We departed from the Windy City of Chicago and arrive tomorrow morning at approximately 1 am. It takes a full 24 hours (with flight time and lay over) to make the trek across the world.
Lynn and I are now in London, enjoying a late breakfast and several cups of coffee. Lynn is a great person and so excited to go Egypt. She is staying for one week and her itinerary is filled with exciting, spectacular tours of the country. Lynn picked up a lecture series on Egypt and has made it all the way from the birth of the human race to the time of Alexandria the Great. It is such fun to experience her excitement for the trip! I’m glad she decided to come along!
Well, I promised to blog throughout the next three weeks. Stay posted for photos, snapshots and journal entries so that you can “travel along” with me!
Happiest of shimmies,
Raksanna

Raksanna with two of her mentors: Raqia Hassan and Faten Salama
Thursday, May 13, 2010
Tomorrow, I am sponsoring the legendary, world-famous Faten Salama and her certification in Egyptian dance: Al-Massrawey: The Real Egyptian Certificate Program. This eighteen (18) hour program provides dancers with an in-depth education on the history, geography and culture unique to Egypt and the art and dance that is specific to different tribes, areas and styles. Additionally, Faten is teaching “Labanotation” – the study of how dance steps are explained and written in order to preserve the dance.
Why did I choose to sponsor Faten for the certification? There are so many reasons and while space and time does not permit an in-depth explanation, here are three main reasons:
• Authentic work presented by a recognized world leader in Egyptian dance – Faten Salama is a native Egyptian. She has danced since the age of three; has been a principal dancer in the National Troupe of Egypt; performed for royalty, dignitaries, and audiences from around the world; is a beautiful artist, creating soulful dances that are touching, feminine and thoughtful and she is firmly committed to educating dancers and audiences alike on the beauty, respect and dignity of the dance. Just as importantly, Faten is a sweet woman with a positive, loving spirit that is committed to excellence. She is someone that I enjoy spending time with and consider a friend.
• Dancers need this type of first-class training and credentials – Yes, there are solid and respectable certification programs out there that have been developed by world-respected artists. In fact, my own extremely comprehensive apprenticeship program required for any faculty members who join my team offers a solid foundation and significant knowledge that benefits from my own near-two-decades experience in the dance. I do not question or discredit any of the programs, including mine, or take away from them. However, what these programs lack is the intricate knowledge and spirit of a native Egyptian who grew up in the culture, with the dance and approach that can only come from someone who is from Egypt and has the credentials and experience that Faten has. It’s like when I moved from New Mexico after 21 years of growing up there to New York and living there for seven years. No matter how much I love New York, I am not now and never will be a native New Yorker.
• This program raises our art form in the Western World – I have traveled to Egypt many times and have witnessed and experienced first-hand the difference between the way our artform is perceived in the West and the way it is perceived in the Middle East. Belly dance in the Middle East is what ballet is to the Western world. Great dancers are supported by a full orchestra with violins, kanouns, drums and more. Singers complete the show and it is a simply beautiful experience. People pay up to $100 per person for a ticket for a dinner and a show, dress up for the event and look at it as a prestigious evening out. It is the same approach that we in the West take with an evening to the ballet or Opera.
In America (as well as around the world), we need educated dancers who can collectively raise the standards and perceptions of our art form. Yes, as belly dancers and entertainers, we can certainly give a life-memory to a family who hires us for a 75th year birthday bash (and enjoy doing so) … but there is so much more to what we can and do offer … from fascinating stick work in with Saidi style stick dance to the fun-loving Hagallah routines to the glamorous Oriental dance, we need dancers out there performing high quality dances and educating our Western audiences about the culture and the history, the richness behind what we love.
So, to all the dancers joining me for this exciting weekend – Welcome to Chicago! Welcome to Faten Salama’s Al-Massraweya: The REAL Egyptian Certificate Program! I’m proud to be your host and delighted to present to you the one, the only, Faten!

Raksanna - photography by David Gore
Tuesday, May 4, 2010
This past weekend, I had the honor and privilege to teach an Oriental choreography and technique workshop as a featured instructor of “Floralia 2010,” held in Truth or Consequences, NM and sponsored by Selena. This event is a very special event for me because two years ago, it was the first time that my family experienced belly dance and had a chance to see me dance (after nearly twenty years of belly dancing!).
This year, the experience was just as wonderful and magical. Selena hosts the beautiful event on the first weekend of May to celebrate May Day. Nearly one-hundred dancers gathered over the weekend to take workshops, share their passion for dance on the stage and reconnect with friends, old and new alike.
Close to forty (40) dancers filled my workshop on Saturday at 1:00 p.m. I divided our time together into two sections – Oriental technique and patterns, in celebration of the release of my brand new DVD Advanced Technique and Playful Patterns ™ 1, and then original choreography to the introduction to Escape from Cairo.
During Oriental technique, I taught sixty-four counts of patterns and technique that can be incorporated into a dance routine. The complex and intricate patterns incorporated airy and earthy movements with rich texture blending both Oriental and folkloric moves and level changes to create depth and interest. The idea behind the patterns was to use the movements as part of a verse or a chorus when creating choreography.
After about 45 minutes of play (why call it work when it is so fun??), we had a 5 minute water break and then returned to learn the beginning of Escape to Cairo. This dance routine features veil work and Oriental technique during the first two rhythms and was created for a stage, as opposed to a restaurant or other close performance setting. We made it through about a minute of choreography in the last half of the workshop!
I was very proud of and inspired by the workshop participants. Teaching intensive workshops is a real treat for me because I have the opportunity to come together with dancers of all levels, from beginner through professional, and from many different locations. It’s my goal to give each student something just for her – a new move, a new pattern, a new belief in herself or even a different perspective. From the feedback I received, it is my sincere belief that my goal was accomplished.
Yes, my family was there for me again, when I performed that evening during the gala show. It made the little girl in me come out to be so excited that Mom and Daddy and my brother (one couldn’t make it) to see me dance. Thanks, family! I love you.
And a tremendous heart-felt thank you, Selena, for another wonderful and magical weekend in New Mexico. I look very forward to returning to Floralia and sharing in your beautiful event.
Tuesday, April 6, 2010

Why is it important to sponsor guest artists, such as my upcoming April Shimmies ™ featuring Amani Jabril of Atlanta? From my perspective, it is important for several reasons:
— Students who are not able to travel across the country (and world, in many cases) have the opportunity to learn new perspectives and techniques from credible sources they may not otherwise be able to.
— Workshops can often times include haflas or dance parties that give dancers the chance to perform and showcase what they’ve been working on.
— It’s great to build a network of fellow dancers who share a common goal and shared values!
These reasons, among others, are why I’m sponsoring Amani Jabril of Atlanta, GA for a workshop and show on Saturday, April 17. This event is going to be really spectacular. I’ve asked Amani to teach two workshops: one focused on Oriental Technique and Patterns that can be used by students to either train or to use in their own original choreographies and the second one focused on both technique and choreography for Khaleegy style. Khaleegy dance is from the Gulf area of the Middle East and Amani is going to teach both the Saudi and Iraqi style, as well as a fun dance routine.
Directly following the workshop, there will be a fun halfa (dance party) at Rito’s Mexican Restaurant at 3450 Montgomery Road in Aurora. The doors open at 8:00 pm and the show starts at 8:30 pm. I’m very excited that the show is featuring my new students as well as up and coming local talent, my two troupes (Alif Ba and Raksanna and the Desert Flames) and, of course, Amani and me.
Registration is taking place now for the workshops and tickets for the show are also on sales! Please visit the store to register or buy tickets!
International icon and master of Middle Eastern dance, Momo Kadous returns to ChicagoRaks (TM) as the featured guest artist! This year, ChicagoRaks (TM) is a two day intensive with Momo himself, complete with a gala show in his honor. Co-sponsored by Turquoise International and Raksanna, Momo Kadous teaches brand new choreographies, a special drum solo section, emphasis on rhythms and technique and much, much more!! This exclusive event ALWAYS sells out.
Registration Form
Early Bird Special – on or before Sept 5, 2010
Weekend Package $ 175 | One Day Pass $ 100
Regular: On or after Sept 6, 2010 or at the doorWeekend Package $ 200 | One Day Pass $ 125
All tuition payments are made directly through Ali at Turquoise International. www.turquoiseintl.com 800.548.9422. Contact Ali at turquoiseintl@earthlink.net to register or for payment plan options! Class Size Limit: 30.
Gala Show Tickets
Platinum Tickets (invitation to Wine and Cheese reception with Momo Kadous, Platinum priority seating): $35
Gold Tickets (Advance entrance to theatre, VIP seating): $25
General Admission: $20
All show ticket sales are made through Raksanna Productions. 630.689.3611 or www.raksanna.com/events-workshops/store/ All show ticket sales are final. No refunds, no replacements, no transfers, no exceptions.
Contact Raksanna at Raksanna@Raksanna.com for details (location, time, etc.) and registration form. If you would like to perform, please let Raksanna know. Limited performance spots available.